“A
great nation is one that truly appreciates its history”
Once again, the award-winning Garin
Nugroho, gave birth to a historical epic movie entitle "Tjokroaminoto Guru
Bangsa" (Tjokroaminoto Teacher of the Nation). The name Tjokroaminoto is
instantly recognizable to most Indonesians, yet few know about the man and his
pivotal role in shaping Indonesia’s long journey to independence. Today, the
name graces streets, schools and universities all over the country, but only a
few know that without Tjokroaminoto, there would have been no Sukarno as
Indonesia’s first President. Garin brings the story of this extraordinary man
into the screen for us to know this man better.
As always, Garin’s masterpiece presents
a breath of fresh air into Indonesia’s film industries which have long been
dominated by ghost and love story. Taking the story of the Indonesian national
hero Hadji Omar Said Tjokroaminoto to life, Garin managed to recreate the
figure who has shaped the history of this nation into a charismatic
intellectual figure, skillful strategist, critical writer and editor as well as
great orator who could spellbind thousands of people. Tjokroaminoto whom we
know only through his black and white images in our history text books as the
founder of Sarekat Islam (Islamic Association, the first nationalist political
party in Indonesia originated as an association of those Muslim merchants who
wanted to advance their economic interests in relation to Chinese merchants in
Jave) has found his voice through this movie.
Running for two and a half hours, the
film Tjokroaminoto Guru Bangsa tried to portray the long road taken by Tjokroaminoto
in building Sarekat Islam to uplift the economic standing of his people and to eradicate
poverty and illiteracy as a result of Dutch colonialization. The film took
setting in regions where Tjokroaminoto spent his childhood up to his activities
as the prominent leader of Sarekat Islam ranging from Bandung, Semarang,
Yogyakarta, Pasuruan to Surabaya. This struggle becomes the seeds of the national
movement.
Against the historical background after
the end of the cultuurstelsel or
enforcement planting imposed by the Dutch in the late 1800s, the Dutch Colonial
government promoted an Ethical Politics aiming to improve the welfare of
Indonesian people as recompense for centuries of occupation and oppression. The
Dutch colonial government provided access to education for the children of the
nobility in Java. However, the new policy rang hollow as most people still
suffered from forced labor and illiteracy. As a result, poverty and injustice
was still rampant. Social disparity between ethnic groups was still clearly
visible. In the midst of this political and social turmoil, Tjokroaminoto stood
up against these injustices. He preached self-reliance, unity and education for
all.
The film opened with a scene in which
little Tjokroaminoto witnessed the atrocities imposed by a Dutch landlord to the
indigenous workers. The workers were treated like slaves, robbed of dignity and
self-esteem. One scrawny worker was tortured until his blood soaked the whitish
cotton like fiber as one of the main crops of the plantation. This
blood-stained cotton with a word 'hijrah'
(a migration or a journey to a better place) instilled by his religious teacher
etched in little Tjokroaminoto, becoming the spirit of his struggle. The white
cotton and hijrah became the symbol of Tjokroaminoto’s journey to bring back the
dignity and self esteem of his people.
Disillusioned with the bureaucracy,
Tjokroaminoto cast off his royal status and worked as a menial labor in
Semarang as his first hijrah. The more he interacted with his people, the more
he felt the pain and suffering endured by them. Soon, he was encouraged to go
to Surabaya as he would flourish more in this busier city. He actively wrote in
Bintang Soerabaja daily newspaper, criticizing
the Dutch colonial policies. Eventually, he joined the country’s biggest
Islamic trade union, Sarekat Dagang Islam. Soon, his Intelligence and
leadership rewarded with respect.
Later, he built Sarekat Islam (SI). He
started to preach young Indonesians to rise up against colonial rule through
movements without violence, building education, health and economic development
centers.
Tjokroaminoto’s house in Gang Peneleh,
Surabaya, became the centre of young leaders of Indonesia. He used his home as
a boardinghouse that hosted several eager young men such as Koesno (Sukarno),
Semaoen, Muso and Kartosuwiryo. At this simple home, they held a lot
discussions on politics, ideology and the nation and these spirited tenants
began to Tjokroaminto as their mentor. These young leaders would continue the
ideals of Tjokroaminoto to have a dignified, educated and prosperous nation.
Decades later, Tjokroaminoto’s former
tenants began developing their own political ideas and views who gave birth to
the country’s independence in 1945. Sukarno became a nationalist and married
Tjokroaminoto’s daughter, Utari, Semaoen and Muso became communists Kartosuwiryo
developed Islamic political ideas.
What’s more in this film is Garin's remarkable attention to details related to the setting, ranging from the traditional batik and kebaya dress of characters, home furnishings, and transport of carriage, tram, train cars and chores-drawn carriage as an old-fashioned mode of transportation. The audience experienced the time-machine travel like through time back in the late 19th century.
However, a good script and director is
helpless without their actors and actresses. Standing ovation should be given
to Reza Rahadian who has successfully brought back Tjokroaminoto alive with his
remarkable acting. On the other hand, it is such a waste that Christine Hakim’s
superb act is not supported by an adequate role as she only gets the role as
the caring Simbok for Tjokroaminoto’s family. The long duration of the film with
lengthy dialogue laden with symbols also make this film feels tedious and a bit
heavy to follow, especially if the target audience is students.
On other note, we can see an irony in
this history of our nation. After independence, these idealistic leaders who
befriended one another in the boarding house killed each other due to their
different ideological. How fragile politics is when ideology and group’s
interest are put above the people and the nation. It is something our nation
should always keep learn as often we repeat the same mistakes as in the phrase ‘history
repeats itself.’
Yet, overall this film is masterpiece.
It’s not easy to bring the historical figure to life, especially when the only
source of animated means is only through the black and white old photographs.
What’s more challenging is on how to give the character a voice in delivering
his ideals and dreams. It is a must see film for all Indonesians.